Daily Mail - One Last Moment With Her Prince

 

Explore the ways in which representations are encoded through media language in the front page of this edition of The Daily Mail

Kneejerk
The Daily Mail makes usage of a series of sympathetic representations to align the reader with their ideological perspective.

Plan:

Context; Daily Mail -> Tabloid-> Lower-middle working class audience -> Pro-Royal.

MES: The various images of celebrities and models are all smiling -> Represents them in a positive, optimistic mood, reinforced by the high key lighting.

Royal colours -> Purple, lilac, and gold -> Connotations of royalty -> aligns the daily mail with the royal family/ monarchy -> Traditional.

anchorage of 'One last moment with her prince',  as the headline, lexis of sadness, with binary opposition of a fairytale.  -> Represents the queen akin to a princess by romanticising it's language.

Serif font used to represent the headline and it's copy as important by differing it from the bulk of the page that uses sans-serif. -> Similar typography to Daily Mail logo -> encodes the two as united.

Builds a narrative of shocking deaths through it's composition, and anchoring their headlined story of Prince Philip's death beside Helen McCrory's. -> 

DAC:
Representation refers to the construction of reality by a producer, in order to reinforce their ideological perspectives and agendas.  The Daily Mail, a British tabloid newspaper aimed primarily at a lower-middle working class target audience; Makes usage of a series of sympathetic representations to align the viewer with their ideology.

The Daily Mail immediately aligns itself with  pro-monarchy stance through the usage of purple, lilac and gold accent colors surrounding the page, all connotating to royalty, and leisure. Implying a sense of tradition to the the tabloid. 

The high-key lit images of royals, celebrities and model construct them in a positive manner, reinforced by the mise-en-scene of smiles to each. 

This is therein reinforced by the  royal iconography in their logo, and the mise-en-scene of the photographs 

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