How do the representations in 'Formation' reflect the ideology of the producer?
How do the representations in 'Formation' reflect the ideology of the producer?
Plan:
New Orleans -> New Orleans has been flooded various times -> Insufficient aid
MES: sinking police car ->
Complex representations of African-American women and men.
Representations of the police as riot force -> Proairetic code of violence against black child. -> binary opposition of riot police and a little child.
MES: Antebellum dress from 1800s and upper-class household setting -> Symbolic code for the power white slave owners wives/daughters -> Binary opposition to the representations of contemporary african-americans. -- Extremely controversial. -> Attempt to reappropriate a symbol of slavery, racism. A removal of power from the White.
Antebellum/ Katrina -> intertextual references.
Atypical, subversive song for Beyoncé as an artist.
Paul Gilroy: Postcolonialism theory
conventional music video structure -> Dancing,
Binary opposition between low-res old VHS effect and modern high quality cinematography. -> B.O.s make meanings clear.
Primarily stereotypical working class settings: Parking lot, church, gym, urban streets.
braids, afros, curly hair -> Black Identity
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